workflow) can adjust shadow character in no fewer than 100,000,000 different ways, most of them available in a single click or slider. is a photographic production technique, not a means of fictional digital illustration.Īs for relative shadow depths and contrast, Photoshop and/or Affinity Photo (which would host a freq. It's not a "blemish remover" or for "adjusting directions" of light you didn't capture, of light that didn't exist. I'm just one of the tens or hundreds of millions of photographers who've used it since Francis Edgar Stanley pioneered the technique working dry plate negs in the early 1880s.įrequency separation is useful for controlling the input-to-output ratio and relative prevalence of regional contrasts your photography actually captured, of light actually reflected off a subject and into your camera. Your workflow description doesn't allow you to adjust shadows and lighting direction as PP does quite convincingly, which is what I often use it for (with just a touch of blemish removal).įrequency separation isn't "my" workflow. Not only will less be more, it'll be faster, too.) In your own frequency separation workflow, you'll just pick and work what you want from the outset. It then takes you time to dial defaults back or to refine selections toward the more specific areas you have in mind. The problem is that "the algorithm" always casts far too wide, too deep a net. sep is basically the procedure that products like Portrait Professional try to automate. It's the best and most fundamental investment in technique you'll make in your portrait retouch workflow-and again, if you already have PS or Affinity, it's free. Grab a couple of your images and practice it for speed by image five you'll be flying. Just pour yourself a coffee or a beer, sit down for an hour, learn it. Seriously, frequency separation is not difficult. Or Julia Trotti, an Australian fashion and travel photographer, breaks it down pretty succinctly and also offers a nice, free setup action. Here's a nice, step-by-step overview and free setup action from Miguel Quiles. Or in Photoshop, you can easily make your own workflow action to do the same, or you can grab one from any of the hundreds of professionals on-line offering tutorials. It's what the professionals do.Īnd if you already have PS or Affinity, it costs nothing extra.Īffinity (desktop and iOS) ships ready to roll with a fantastic frequency separation workflow setup. I'm mainly interested in very light touch subtle portrait retouching very much avoiding the default settings.Īnyone who's interested in "light touch subtle retouching" should avoid products like Portrait Professional.Ī simple frequency separation workflow in Photoshop or Affinity photo can provide you with vastly better results, with much more direct control, with far greater speed. Has anyone tried V19 and if so can you advise if it is worth the fairly pricey upgrade from 17 or 18.is it a major step forward of just a minor revision.
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